We here at Accessibly Live Off-Line central recently received a press release regarding to a food based suggestion as presented by a group that caters toward the promotion to this product. And the food in question is one of the all-time favorites of “foodies” across the land: Pizza!

The press release titled “Pizza for Breakfast” toted on the marvels of having this dish as the one to start off the day. Within its pages of information and advice, it went on to state that pizza is much better that a favorite breakfast cereal, using a piece that was written by Chelsea Amer, a New York based nutritionist. Her article was posted on the website, a place on the ‘net that discusses food and all of its applications.

She goes on to state that the base ingredients found on a pizza pie–cheese, holds plenty of protein product and is far better that sugar, even with cereals that have minimal sugar such as corn flakes and other so-called “adult” cereals.

The press release also points out than many speciality pizzas also have substances that are good as a breakfast meal. Pizzas are also quick to prepare by either heating a slice in a microwave for three minutes, and perhaps eaten at room temperature. Whatever one consumes this product, pizza is better than cereal or even those “energy” bars that’s been around since the 1970’s.

This writer finds this article as something that I have known of longer before people stated to give a damn on what they ate! In fact, yours truly has been consuming pizza for breakfast long before any food dish was trendy and when meals made at home was anything far removed as interesting or unique. They was just there!

It all started with my mom. When I was just a kid, she was the one in the family homestead that made everyone’s meals for my two siblings and my dad. Dear ol’ dad wasn’t very picky on what he ate. As long as dinner was on the table when it was suppose to be, then he was satisfied. Maybe not overly pleased, but just content–barely!

My two siblings and I at first just accepted with what was placed in front of us. But I seemed to have a bit of pull to what I wanted to consume at home and while on the road! I even recall the very first time I ate at a McDonald’s Restaurant (as they were know at the time), but I’ll save the tale for another article!

Anyway, at many times to save time, my mom would stock up on frozen foods, from TV dinners to those singe dishes in “family style” packages. One of my favorites was frozen pizza. She would get these pizza’s 10” inches in diameter. It was made by a local based brand and was sold at many of the regional supermarkets. I recall these pizzas very well becomes as a premium, they featured 8” circular photos printed on thin cardboard that sported pictures of ball players from The Chicago Cubs, such as Ernie Banks, Ken Holtzman, and Ron Santo. I recall seeing Santo’s picture on the front of one of these pizzas, so I would refer those pizzas as “Ron Santo Pizza”. When my mom would go the grocery shopping every week or so, she would make sure she would stock up on “Ron Santo Pizza”!

The company behind Satno’s pizza even offered packages of mini pizzas as a three pack. The pizzas were about 6” in diameter, and one can place a whole pie in the over for about a ten minute cooking time. My favorite was cheese pizza as Ron Santo pizza was loaded with mild yet gooey cheese, and wasn’t as spicy as sausage or pepperoni pizzas were. So cooking these frozen pizzas were easy to do.

One early morning, my mom decided that she would cook me one of these mini pizzas for breakfast. I though that would be neat! I would have my pizza in the morning, and that would tied me over until lunch time. My elementary school offered a hot lunch for 45 cents, and the menu changed daily. If the school was serving something I didn’t care for, the pizzas would tied me over. And at times, my mom would cook two pizzas, one for breakfast and the other for lunch that would be packed in my trusty (and rusty) metal lunchbox! I really didn’t care if I had the same thing for breakfast and lunch. In fact, the pizza would be cold by the time noontime rolled around. and I thought that cold pizza tasted better that the hot ones I would eat while watching Captain Kangaroo on TV before I would head off to school.

This went on for quite a while. I would have pizza for breakfast, and sometimes pizza for lunch. That is, until my dad cough wind over the fact that my mom wasn’t serving me breakfast foods for breakfast!

Since he was the head of the household, he asked (ordered?) my mom to stop serving me pizzas for breakfast. So as the mom as she was, the Ron Santo Pizza special for breakfast came to its end. From that point, it was back to the sugar loaded cereals I knew of thanks to the overload of TV commercials I would see on during the three networks’ Saturday morning cartoons blocks, or on after school TV. So for the next few years, it was back to Apple Jacks, Frosty-Os, Honey Combs, and other brands catering to the kid market!

Over time and tide when I made my own chooses on what to consume, breakfast slowly went on the wayside. For many years, breakfast was now an afterthought, even when I attended higher education institutions, from high school and even college. Although I somehow kicked the sugar loaded cereal habit, I never left pizza! I even discovered how cold pizza tended to improve with age, tasting better long after it left the ovens. And that wasn’t meant for breakfast, but for anytime! However, cold pizza for breakfast tends to fall within the trendy method of food! After chowing down on a cold slice of pizza that’s been sitting in the cardboard delivery box for days (weeks?), one will have a treat to have while getting to work, either as a commuter sitting in a car, or one that moves from one room to another at wherever one performs their daily slaving!

Kellogg’s Cereals used to have a slogan that went “The Best To You Each Morning”. Well, that notion would also apply to pizza. Make it best for your morning! You’ll hit it out of the park just like Ron Santo used to do while playing at The Friendly Confines!

Performing at the Hudson Mainstage Theatre in Hollywood is Anthony Wilkinson’s MY BIG GAY ITALIAN WEDDING, a comedy about the title wedding ceremony about two men in love and the people around them.

The place is Brooklyn, USA, not too far away from “Little Italy”. Gianfranco Terrin appears as Anthony “Tony” Pinnunzatio. He’s a young adult still living under the same roof as his parents, mom Angelia (Linda Lee) and dad Joseph (Ric Olivera). He’s been going out with his lover Andrew Polinski (David-Simon Dayan) for some time. The two decide to make it official by getting married. He announces the wedding to his folks, even showing off his ring. Things begin to get rather complicated since his folks want a traditional Italian and Catholic wedding. However, the Catholic church frowns upon same sex marriages. To add to the confusion, Andrew’s mother, living in sunny Florida, may not attend the wedding due to a falling out she has with her son. And to add insult to injury, Andrew’s ex-boyfriend Gregoria (Fabrizio Allata, alternating with Jordy Tulleners) plans to sabotage the wedding revealing a secret incident that occurred the previous summer. The questions still remain. Will a traditional Catholic and Italian family tolerate with their son starting off a life with his “best man”? Will Andrew’s ex spill the beans with what happened beforehand? Will Father Rosalia conduct the service? And most important…Will love really conquer all?

This play takes a simple premise of a young man from a traditional and conservative family, and creates a setting that keeps a comical presence throughout. The method that this production executes itself is presented in a frantic stance, full of characters that are comical, cartoonish (in a good way), and rather outlandish. This technique adds to the humor this play shows itself. It features a rather robust cast that consists of players that stand as friends, family, clergy, and others that make up big gay Italian weddings that are not as simple as it could be.

Along with the above noted cast, this production also features Kevin Clough, Ana Maria Perez, Dashae, Serena Limonta, Claudia Jakab, Salvador Aven, Julian Zambrano, Tomaso Di Blasi, and Sarah John Long. An alternative cast also consists of Sarah John Long, Luca Della Valle, Kory Larsen, Veronica Maccari, Kenny Fierro, and Lisa Preston.

Directed by Gianfranco Terrin, MY BIG GAY ITALIAN WEDDING is a marriage that may not be made in heaven, but it comes rather close! After all, if a wedding such as this one shows itself off in a frenzy, let’s not wait until the divorce! (A sequel perhaps..?)

MY BIG GAY ITALIAN WEDDING, presented by The Italian Comedy Club and Fausto Petronzio, performs at The Hudson Theatre Mainstage, 6539 Santa Monica Blvd. (one block west of Wilcox), Hollywood, until March 31st. Showtimes are Friday and Saturday nights at 8:00 PM, and Sunday matinees at 3:00 PM. For ticket reservations and for more information, call (323) 481-6890, or via online at
is a presentation of Linear Cycle Productions
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ACCESSIBLY LIVE OFF-LINE (C) 2019 Linear Cycle Productions. All rights reserved. The views and opinions are those of the writers, and not necessarily of the staff and management. ‘Nuff said!



There has been countless reports on how people are affixed to their phone devices. For much of their waking hours, people that own these methods of communication are constantly checking to see who called and/or texted them within the last three minutes. They appear to be staring into their phones where they are looking for something. They don’t know what they are necessarily looking for, but the search goes on. Generally speaking, they don’t own smartphone, the smartphones own them. And that’s not too smart to begin with!

This writer may have been just a little harsh with the description of how people are obsessed with their phones. Yes, there are those that seem to be in a state of hypnosis while they are using their phones, down to having their eyes rolling in a spiral pattern, an edison-style light bulb affixed to their heads flashing while uttering in a monotone voice “I Will Do What Simon Says!” (See Vol. 23-No. 15). And there are a few folks that do take advantage of what their phones can do to use the applications as prescribed, only to place the device down when finished and to walk away! So regardless of what the media reports on how smartphones are good while they are evil, there is a balance in existence.

Which leads up to an experiment that’s been going on to test how one uses their phones or how their phones uses them. There have been a number of case studies that challenged people not to use their cell phones for a given time, let’s say for seven days. For that week’s worth of time, one can’t use their phone at all! No texting, no using various apps of color or size, and no taking either! Nothing! And the contest begins! Who will win? Who will come out unscaved? And who will turn into a total emotional train wreck just because they could not perform simple tasks without that hand held device where once upon a time, they were able to perform those same functions minus any electronic gadgets at their side?

Well, yours truly come to that test, but not by choice. It was through circumstance. However, it was not involving any hand held gadgets through this dare. It wasn’t even part of the smartphone set. It was the other phone device–the one that’s attached to a wall, better known as a hard line!

Here’s how it all began. In early February, the Los Angeles region was hit by a number of rainstorms that damped the area where some five inches of rain fell through the area. And with that amount of rain falling in a short period of time, one will encounter some water based damage. Somewhere near the facility where this here news service is produced, a phone junction box affixed to a telephone pole (‘natch) received some water leakage and thus, shorted the phone wires. This occurred on a late evening.

The next morning, yours truly noticed that the hard lines used did not sport a dial tone. However, it was a Friday, and usually on that day, people frustrated with the weather wanted to start their weekend early, so not many calls would be made. Also, it was the start of the President’s Day weekend, meaning that the Monday would be a holiday. And it would be the last three-day weekend until Memorial Day some three months ahead. (Other “holidays” such as St. Patrick’s Day and Easter doesn’t count, although some people blow off Good Friday, the Friday before Easter Sunday!) So I wasn’t too hot of a hurry to get the line fixed the moment I discovered the outage.

I attempted to contacted the telco, AT&T, about the phone being out of order. Calling the customer service number late Friday, I discovered that they were closed for the day and for the weekend, so I had to wait until that Monday. Monday was President’s Day, and AT&T’s customer service department was also closed for that holiday. So I had to wait until Tuesday to report my outage.

On Tuesday morning, their 800 number was dialed (from my smartphone of course!), only to lead me to a series of phone prompt handled by a robot. After pressing “1” for this and “2” for that, I was able to make my appointment for a technician to arrive to see what the problem was. That appointment day was for that Friday, a week after I discovered that the phones were down!

To make a longer story shorter, the technician was able to fix the problem, and sure enough, phone service was restored. I thanked the person that came in on a rather cold and somewhat damp afternoon, and that was the end of that!

What made this encounter rather interesting was the fact that for that one seven day stretch, I did not miss the hard line being out of order. For that week, it was rather quite and peaceful, never hearing that phone ring constantly throughout the day.

A few things that should be noted. Although many households no longer have a hard line in place, this writer has one. And the reasons for that is because cell phone service in where I am based is rather fair to poor. The hard line serves as a backup. Also, the phone number attached has been a working number for a little over twenty years, and on occasion, I do receive calls for outside sources that had kept that number at bay for the many years. If that number does become disconnected, then one may assume that I moved, went out of business, died, or a combination of all three!

Those are the good reasons on why that hard line exists. The bad news about it all is the fact that within the last two or so years, a majority of incoming calls are either from robots and/or telemarketers based in nations outside of the USA attempting to sell me goods or services that are for real or for scamming purposes. There have been times where within a six hour period, I receive as many of eight to ten phone calls for the above noted robots and foreign based telemarketers.

I am not the only one to get bombarded over robo calls and telemarketers from outside sources. The FCC has reported that such calls have increased over the last year. Los Angeles is one of the hardest hit areas of the nation where robo calls overtake standard voice calls. Some people that have kept their hard lines for various reasons don’t even bother to answer their phones anymore. They just let it ring, or have the voice record device take the message. Even through the FCC does maintain their do not call list established, many of these companies that have robo calls systems set up are located outside of the USA. Thanks to internet based phone connections, it’s very easy and cheap to make thousands of calls all at once from as far away as East India and the Philippines, far enough from the reaches of where the FCC does their business.

Interestingly enough, when phone service was finally restored, within five minutes, an incoming call came in from a telemarketer based in some Asian based nation informing me that I was awarded a three day two night trip to Hawaii. All I had to do was to attend a “ninety minute” presentation from a timeshare vacation company at their facility in Oceanside, California–some 100 miles away from where I hang my hat!

So to answer the time tested question on if I can live without my phone for a week’s time, that answer would be a “yes”! And we are speaking (pun?) about the hard line. As to the smartphone? From the annoyance I receive from that device as it stands, I would be willing to take the challenge!

Performing at The Lounge Theatre in Hollywood is the Los Angeles premier of Michael Weller’s FIFTY: WORDS, a drama about a couple that face the challenges of working to get ahead while raising their child, along with coping to a once well kept secret.

Jan (Olga Konstantalakis) and Adam (Erie Larson) live in a renovated brownstone in the New York borough of Brooklyn. Jan was once a professional dancer. Now she is working for a young start-up company. Adam is an architect. His work takes him to various places within the middle region of the US. They have a nine year old son named Greg who’s enrolled in an upscale school. One Friday evening while their son is away at a sleepover event, Jan and Adam and Jan spend their first night home alone since Greg was born. Perhaps it’s the right time for the pair to take a rather intimate evening together. But Jan is bogged down with her work, bypassing their planned night of passion. Adam has his own problems as well with his job. Along with the stress they experience with their son, it appears that their domestic life is teetering on its edge. What brings things to its screeching halt is a phone message that Jan took for Adam earlier in the day from a woman she didn’t know. This woman turns out to be somebody Adam knew for some time. Her existence was more of an intimate affair rather than a business colleague. With their marriage already falling from its peak, Jan and Adam face a contest to either keep their relationship in check, or to end with what they have built up as a couple.

This play is a well intent melodrama that speaks for an element of a domestic marriage on how faithful a partner is to its other. The two performers, Olga Konstantalakis and Erie Larson as Jan and Adam, fit the standard of a couple living in an urban landscape with the sense of having it all. But alas, they hold more pressure in order to keep up with the personal universe. Shane Stevens’s stage direction holds these principles to its truth. This said direction, along with the performances of Olga Konstantalakis and Erie Larson, make this stage work as believable as it could get.

In addition to the talents as seen through performance, John Mahr’s set design shows off a rather cozy yet mildly cluttered unit where Jan and Adam live, complete with toys and other signs showing that a child lives among them. Even through the child himself (Greg) is never seen but only referred to, one can sense that this couple are doing well for themselves in terms of keeping up with the so-called “joneses”.

One element to this play is the fact that it holds many questions about one couple’s marriage that’s on the brink, but doesn’t offer a solid closure. Perhaps it is up to the viewing audience to make that conclusion for the stage couple. As in “real life”, there are no easy answers to life’s own trails and tribulations.

FIFTY: WORDS, presented by Mackley Jones Productions, and performs at The Lounge Theatre, 6201 Santa Monica Blvd. (one block east of Vine Street at El Centro), Hollywood, until April 7th. Showtimes are Friday and Saturday nights at 8:00 PM, and Sunday matinees at 3:00 PM.

For ticket reservations or for more information ,call (800) 838-3006, or online at
is a presentation of Linear Cycle Productions
@AccessiblyLive (Twitter)
(Accessibly Live’s channel on YouTube)

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ACCESSIBLY LIVE OFF-LINE (C) 2019 Linear Cycle Productions. All rights reserved. The views and opinions are those of the writers, and not necessarily of the staff and management. ‘Nuff said!


It’s not such a big wonder to know that for many people, social media is a world where they live and dwell. Each and every moment, these people start their day (whatever a “day” is to these same folks) by checking in on their many accounts that exist in the social media universe. (i.e. Facebook, Twitter, Instgram, etc. etc.) to see what exists within those places. And as they continue throughout that day, be it a real one or as a virtual platform, the add a few elements from a text based message, a photographic image, passing the text message and/or photographic image, perhaps creating a moving image piece, sharing somebody else’s moving imagery, and one can conceive the idea from there. These tasks the folks present may take up from a few minutes to encounter to a number of hours, depending on how much heavy usage they wish to embark upon. And once that “day” is completed for the moment, they will set aside to get some rest (assuming that these social media citizens take part in that function), only to begin again.

And as the one amusing now rather tired and overused cliche goes–wash, rinse, repeat!

Social media as it exists in the present moment is pretty much an invention of the early 21st century. It was first born in the 1990’s when internet access became available to those that knew what to do with it all! As it progressed and matured over time and tide, it moved from a state of curiosity and novelty to a way of life. Depending on appeal and demographic, people use a number of platforms for various reasons. Gen Z-ers, those born after 1996, tend to flock to Snapchat and Instagram. The Millenniums, those born from 1980 through ’96, also use those platforms as well as Facebook., However, Facebook with their current situations, are slowly eroding away from this group. Facebook is rather popular with the Gex-X bunch (born 1965-1979) as well as the Baby Boomers (born through 1946-1955, and 1956-1964). This latter group uses Facebook on a wider scale to keep up with the people they know, they know of, and those that until very recently, was long forgotten and now “found”.

But when it comes to using social media for other purposes, not necessarily through events or related details on more of a personal nature, then that presence becomes rather robust. For instance, the recent Super Bowl generated a reported usage of 24.05 terabytes (TB) of data through the many social media platforms in terms of picture posts, text messages, moving imagery, and other aspects that make up the social media platforms. And to generate how much data is 24.05 TB, that is the equivalent of reproducing everything housed in the Library of Congress twice over! As one can note, that is a lot of data!

But where did all of this data go, not necessarily limited to the Super Bowl, but to any other event or commendation? It’s been placed on hard drives through the real universe ready, willing, and able to be found, lost, extracted, and plopped somewhere for those to reexpose it later–if at all! And this is data that exists as this report is being written. It doesn’t count for the data that will be created tomorrow, the next day, or even the next minute! It’s all going out there, and it’s not going to end at all–like it or not!

So as the social media platforms do their duty to make other know about themselves, we’ll give a big hat tip to them with the expression of joy they get out of living in their world of reality, make believe, or a combination of the two. It’s a wonderful “world”, and a world of “wonder”–whatever that means!

Continuing its run at The Greenway Court Theatre is Barra Grant’s MISS AMERICA’S UGLY DAUGHTER: BESS MYERSON & ME, the self titled solo show where the daughter of the one time Queen of Atlantic City tells what is was all about!

Barra paints a verbal picture on how she became the first and only child of the woman who was once awarded the prize of Miss America in 1945. In her saga, she emotes how she became the “ugly daughter”, a child that was pudgy, had bad teeth, gnarly hair, and was far from being beauty queen material. But her mom did not remain perfect once her rein as Miss America was long over. As a child of the great depression and one of Jewish persuasion, Bess attempted to become involved with men who were with money and was Jewish, although those two traits didn’t necessarily go hand-in-hand! Barra lived in various places thanks to her dads from multistory mansions to humble apartments units in Manhattan. Bess did have a post-Miss America career, from being a TV personality as a panelist on I’ve Got A Secret, to having government positions as part of city politics. But this story isn’t really about the rise and fall of Bess Myerson, although she did encounter a number of those kind of episodes. This is the real account on how a mother and daughter didn’t live a full life of close bonding. In fact, their relationship was rather dysfunctional. The only difference was the fact that Bess and Barra was more in the media limelight that an average mom and daughter’s dysfunctional alliance.

This show, written and performed by Barra (nee Barbara) Grant and directed by Eve Brandstein, is a true and rather honest look of the life of a child that was living in the shadow of being with a celebrity. Barra gives a “tell-all” confession on how her lifestyle was affected thanks to her mom’s many encounters of the men of her life ranging from a millionaire to a mid-level mobster. Barra herself eventually shook off her uglyness, wrote screenplays nobody did anything with, and became an actress appearing in a grade “Z” grind house feature. But throughout the show, it’s about the life and times of Barra and Bess.

The stage set is rather basic as designed by Elisha Schaefer. On stage right is a desk where a cordless phone sits where Bess speaks to Barra on the phone calling at all hours over trivial crisis her mom is experiencing. On stage left is Barra’s personal room representing the many places she lived from childhood to adolescence to adulthood. In the center of the stage is a queen’s throne where a red robe is draped and a tierra is placed, along with the trophy Bess was awarded when she was crowned Miss America. Deborah Keaton’s graphic design shows through imagery projected on the back stage wall the many timelines that passed through the eras from its humble beginnings through its final moments.

Also featured in this production in Monica Piper as the off-stage voice of Barra’s mom.

Bess Myerson was only a handful of Miss Americas that has had many successes and failures in their life long after they departed the boardwalks of Atlantic City as pseudo royalty. Most former pageant queens faded away from the public view over time. Bess continued to be known for the good or otherwise as Barra spins a tale that can’t be made up! It’s all true–with a bit of creative license added from good measure! It’s also very entertaining! Granted, being crowned queen in a beauty pageant has lost its luster in recent years, so there will never be another Bess Myerson. That’s great for the mothers and daughters out there, but not too great for those same daughters attempting to create a one person tell-all stage show about their mom. Barra is lucky to have that chance, and the theater going audience is also lucky to become witnesses of an one-of-a-kind epic! As Mr. Parks would once sing, “Here she is….”

MISS AMERICA’S UGLY DAUGHTER: BESS MYERSON & ME, presented by Pageant Productions, LLC in association with Cannon Theatricals, performs at The Greenway Court Theatre, 544 North Fairfax Avenue. (one block south of Melrose Avenue), Los Angeles, until March 24th. Showtimes are Saturdays at 8:00 PM, Sundays at 6:00 PM, and Monday nights at 8:00 PM.

For tickets and for more details, call (323) 285-2078, or via online at
The Sierre Madre Playhouse opens their 2019 season with TUESDAYS WITH MORRIE, a story about two people, a teacher and a student, that learn from one another long after school was out.

Jackson Kendall is Mitch Albom. He attended Brandeis University as a standard student. Out of his many professors that came and went was one that stood out; Morrie Schwartz (Larry Eisenberg), a professor of sociology. On graduation day, Morrie asked Mitch to keep in touch with him once he was out in the world. Mitch went to New York to live with an uncle of his. He worked as a jazz pianist playing in various clubs. But that gig don’t last too long. Upon of the death of his uncle, he went to grad school at Columbia to become a journalist and later as a sports writer. He did well for himself. However, there was one thing he didn’t do was to keep in touch with his professor friend. That is, until one late evening he caught the ABC late night news and interview program Nightline, where Morrie appeared in a guest spot. That appearance gave Mitch the notion to call Morrie after a sixteen years leave of absence. From that first contact, Mitch and Morrie rekindled their friendship by meeting each and every Tuesday with the old college professor giving life advice to his new(er) pupil. However, Mitch discovered that his coach, as Morrie insisted he be known as, was dying of ALS, also known as Lou Gehrig’s Disease. Here, Mitch and Morrie developed a close bond that paved the way that the longtime grad of Brandeis University would see his own life in a new perspective.

This play, from the same titled book by Mitch Albom, and adapted for the stage by Jeffrey Hatcher and Mitch Albom, is a very charming piece that is a careful blend of comedy, drama, and tragedy, all rolled up in one neat package. Within this single act play, Jackson Kendall as Mitch starts out as a eager young adult that desires to make it big in his world, and did so with vast succession. Larry Eisenberg as Morrie is the man that knows everything. Not only in sociology, but in life itself. He would speak from the heart and mind while adding a bit of yiddish to his speech for variety and flavor. These two players hold that performing chemistry that becomes real and honest, thanks to L. Flint Esquerra’s stage direction.

As this pair present their story on the SMP stage, Amanda Knehans’ set design is graced with a horizontal oak colored plank facade. With using a handful of props and furnishings, it shows that the ol’ professor lives in a modern world, although he is set in the era when he was much younger and more virtual in the physical sense. It’s not ivy colored walls, but it’s neat into itself.

TUESDAYS WITH MORRIE is a production that will leave the theater going audience leaving with many notions to keep in mind. Once will learn about the simplicities of love, life, work, family, and of course, death. It may even spark an idea to contact an old friend from not so long ago. One doesn’t have to wait to find them again either by TV or through social media. Who knows? You just might learn a lesson or two. After all, Tuesday comes but once a week!

TUESDAYS WITH MORRIE, presented by and performs at the Sierre Madre Playhouse, 87 West Sierre Madre Blvd, Sierre Madre, until March 31st. Showtimes are Showtimes are Friday and Saturday nights at 8;00 PM, and Sunday afternoons at 2:30 PM. Special performance on Monday, March 18th at 8:00 PM. No performance on Sunday, March 17th.

For ticket reservations or for more information, call (626) 355-4318, or via online at
On Sunday, February 24th, the Academy of Motion Picture Arts & Sciences presented the 91st Academy Awards presenting the Oscar for the best films of the 2018 calendar year, held at the Dolby Theater within the Hollywood & Highland complex in Hollywood as a “no hosted” event.

Rami Malek won Best Actor for the feature release Bohemian Rhapsody. Olivia Colman won Best Actress for The Favourite. Alfonso Cuaron won Best Director for Roma, and Green Book won as Best Picture.

For a list of all nominees and winners, visit the official web site at

Earlier in the week, the Golden Raspberry Foundation presented the 39th Razzie Awards awarding the Razzie for the worst films released in the 2018 calendar year

Donald J. Trump (as himself) won Worst Actor for the features Death of a Nation and Fahrenheit 11/9. Melissa McCarthy won Worst Actress for The Happytime Murders and The Life of the Party. Etan Cohen won Worst Director for Holmes & Watson, and Holmes & Watson won as Worst Picture.

The special Razzie Redeemer Award, presented to a person that appeared in both a bad movie as well as a deserving feature went to Melissa McCarthy for her appearance in the “good” movie Can You Ever Forgive Me?

For a listing of all nominated films and people as well as its “winners’, visit the official Razzes web site at
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ACCESSIBLY LIVE OFF-LINE (C) 2019 Linear Cycle Productions. All rights reserved. The views and opinions are those of the writers, and not necessarily of the staff and management. ‘Nuff said!


Plenty! Or at least based upon one’s brand name and what the brand stands for!
A recent report from the marking firm YouGov’s Brand Index databank complied the top ten brands in terms of “Buzz and Improver Rankings”, based on recognition, awareness, and over quality of the brand in terms of the goods and/or services it provides to domestic consumers.

According the their report that asked consumers “If you’ve heard anything about the brand in the last two weeks, through advertising, news or word of mouth, was it positive or negative?”, those top ten brands as acknowledged from the recently completed 2018 cycle are, in order of their appearance: 1)-Nexflix 2) 3)-Amazon Prime 4)-Samsung 5)-YouTube 6)-Dawn (dishwashing liquid) 7)-Toyota 8)-M&M’s 9)-Home Depot and 10)-Chick-fil-A

The top ten list of “Buzz Improvers”-brands that received the highest positive awareness from the previous year, are 1)-United Air Lines 2)-Ring (video doorbell) 3)-Samsung 4)-American Airlines 5)-Chick-fil-A 6)-Uber 7)-Pepsi 8)-Hulu 9)-Goldman Sachs, and 10)-Target.

YouGov’s Brand Index states that in order to be listed in their surveys, the brand must have been accessible to the public at large for at least six months in the prior year’s period, as well as being currently tracked, to appear within the movers tables.

It’s rather interesting to note that many of these brands reflect the current interests and tastes to the general public in terms of what they are, what kind of function they perform, as well as how well they are perceived over the year. A few of the brands listed in the “buzz improvers” section became within the ranks from being negative, or more of a positive stance. The two airlines noted, United and American, was ranked lower in 2017, but improved in the next year. United, with a net score of -13.1 in 2017, rose up to -3.5. American was listed at -1.2 in ’17, was lifted to 2.9 a year later. And investment firm Goldman Sachs, was lifted from -8.1 in 2017, to -4.8. All of these scores are net scores, calculated by subtracting the percentage of negative responses from the percentage of positive responses for each brand. Still, only United and GS are still holding on to a negative ranking.

But getting back to the top ten for a moment. The brands listed are the ones that have served many purposes for those that want to take advantage in what they provide. Nexflix, perhaps the be-all-to-end-all source for watching content through one’s internet connected electronic device that sports a video screen is listed as high. More folks are using this service as their prime source of watching TV and its equivalent. A separate survey reviled that many people would not give up their Netflix subscription if they could help it. Even when that same source (Netflix) recently announced they were going to raise their monthly subscription rates a dollar or two more per month, people decided that rather that cancel their subscription, they would just soak up the additional expense just so they could stream the program(s) they desire to watch and/or binge upon. If their traditional cable TV company pulled the same ploy by increasing their monthly fees, a good number of folks would call it quits and cancel! YouGov’s brand index that ranked cable and satellite services still listed Nexflix at the top spot, followed by Hulu, Amazon Video, Sling TV, and Verizon FiOS. In the “Buzz Improvers” section, only Dish Network was listed in a negative ranking. In 2017, they were at -1.5. A year later, they were parked at -0.6. Granted, this brand did improve themselves, but were still listed below 0.0. No traditional CATV company (Spectrum, Cox, etc) made the cut in terms of rankings.

One interesting brand that was ranked within the top ten-Dawn dishwashing detergent. This product from P&G (Proctor & Gamble) has been around for a good number of years. It’s one of many brands that’s on the market that can wash dishes, among many other items. It’s a brand that isn’t new or unique, and a product that isn’t thought of as much. However, it seems to have a loyalty connected to it. It’s available in a number of colors and fragrances, as its main purpose is to wash items where they can come out sparkling clean. It can also do more than dishes! Since this report is being released during the industry awards season where trophies are presented for the best in this and for an outstanding performance in that, one can use this dishwashing liquid (or any dishwashing liquid) to clean one’s award. Just take a bowl of warm water, add a few drops of the liquid in the water, take a lint free cloth ranging from a dedicated hand washcloth to a pair of old cotton underwear, dip a corner of the cloth in the bowl careful not having it overly soaked, and dab the damp cloth on the surface of the award, making sure that it doesn’t leave a water streak on its surface. Keep doing that gentle cleaning all over the piece, even rubbing the crevices and tight places that might exist on the item. After that is done throughout the award, take a dry end of the same cloth and wipe it free from excess moisture. After all of this work, one will have a clean and sparkly Emmy/Grammy/Oscar/Tony award ready to display to all of those you can show off to! (This cleaning tip is being presented by the staff as ALOL as a public service!!)

But getting back to brands! Thanks to the for noted internet, many of the top brands would be deemed worthless if it wasn’t to the high wired connection that makes it all possible! The top five all reply upon the ‘net, and Samsung is one of the players that can make it all happen. This company has been in the American market for some time. This company, as well as their rival once known as (Lucky) Goldstar, were electronic firms from South Korea that were the “budget” brands for consumer electronics such as TV sets, VCRs and so on. Samsung was once the leader of lower priced VCRs in the 1980’s when those devices were still selling for over $100.00 retail. Today, Samsung is the biggest maker of cell phones in the world. They still make traditional electronics (TVs, DVD players, etc.) but mostly assembled in China, Ditto for LG (formally Lucky Goldstar) that still ranks rather high. (5th place in the top five for consumer electronics with a score of 14.2)

But as the moments progresses, so will the brands. If these brands provides the quality product or service it’s known for, then people will continue to respect those brands. If not, then this is where the love/hate relationship takes its marking. Only time and tide will show how well these products will be! Through this article, one is indeed aware of what’s going on, and one will still have the cleanest Emmy Award this side of the Hollywood Hills!

Performing at The Secret Rose Theatre in North Hollywood for a limited run is MILKCRATES, Markietha Singleton’s play about three girls of African American decent that come from the same apartment complex where they live an innocent life as best friends.

The setting opens in Chicago c.1983 at a public apartment building (“the projects”) located on the city’s south side. Three adolescents girls, Chastity, Tonya, and Londi live next to one other. They live with their moms (no fathers present) in their small yet comfortable places. They are far from being well off as they dwell in subsidized housing and on government aid. However, they don’t see or become aware of their form of poverty. They just gather on the fronts stoops of their adjacent units with the few things in their lives that make it all worth while. They have their boom box that play their tunes to practice their dance routines, and each one has a hard plastic milkcrate that consist of an open box that is used for various purposes. (They find these milkcrates set behind the local grocery store.) With their crates and what they can hold in them, they also have their ambitions. They even plan to enter a dance residual being held at the local community center offering a cash prize for the winner. However, Londi informs the others that she will be moving to rural Mississippi to live with her uncle. From there, the storyline moves some sixteen years later when they meet again at the same complex for Tonya’s mom’s funeral. The building will eventually be torn down as the neighborhood undergoes some changes. Although the girls, now young women, have done better for themselves since then, they discover that a few deep secrets are uncovered that will test their long standing friendship.

This play, written by Markietha Singleton, is an honest look of life in the ‘hood as seen by three girls that are not aware of where they are or how they stand as social class. They are just budding to become somebody through their hopes, dreams, and their support for one another.

A rotating cast appear in this production. The Green Cast consists of Martina Marie Holley as Chasity, Samara Smith as Tonya, and Nate R. Jones as Londi. The Blue Cast appears featuring Monifa Sims as Chasity, J C Thomas as Tonya, and Markietha Singleton–the playwright, as Londi. Javon Johnson directs this production (and both casts) that is as charming and comical as it becomes darker and dramatic.

MILKCRATES shows how those living a lower class life can still survive thanks to the power of friendship and the spirit of being true to one’s self.

MILKCRATES, presented by MK Productions, performs at The Secret Rose Theatre, 11246 Magnolia Blvd. (off Lankershim) North Hollywood, until February 24th. Showtimes are Friday and Saturday, February 22nd and 23rd at 7:00 PM, and Sunday, February 24th at 3:00 PM. For tickets, order online at
The 2019 Writers Guild Awards, presenting awards for the best in screenplay writing for feature films and television/video mediums, were held on February 17th at the Beverly Hilton Hotel in Beverly Hills.

Comic actress Chelsea Peretti of Brooklyn Nine-Nine and Parks and Recreation hosted the awards event that presented the best in writing for television/streaming video, feature films, and videogames. Among those awards were a selection of special awards for the achievement in script writing.

Nicole Dubuc was awarded the Animation Writers Caucus Writing Award for achievement in writing in animation productions.

Adam McKay was awarded the Paul Selvin Award for his script for the screenplay Vice. This award is presented for those witch “best embodies the spirit of the constitutional and civil rights and liberties that are indispensable to the survival of free writers everywhere”, as dictated by the WGA.

The Jean Renoir Award for international screenwriting was given to French filmmaker Agnes Varda.

The Morgan Cox Award, presented to an honoree for service in the Writers Guild was awarded to TV writer, documentary filmmaker, and former WGA-West board member Joan Meyerson.

The Paddy Chayefsky Laurel Award for Television Writing Achievement was given to Jenji Kohan, who created the series Weeds and Orange Is The New Black.

The WGA-West’s Laurel Award for Screenwriting went to the writing team of Lowell Ganz & Babaloo Mandel. That award was presented by Ron Howard.

For a full listing of all award nominees and winners in the respected categories, visit the WGA website at
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Actually, it’s cookie time in the Los Angeles region. The Girl Scouts within this area has already launched their annual fund raising drive of selling Girl Scout Cookies, a tradition that goes back a little over 100 years.

Although these stats do vary depending on the community and the region one dwells in, The Girl Scouts is an organization that teaches those of the named gender “ skills, STEM, the outdoors, and entrepreneurship with civic engagement to deliver crucial, life-changing, girl-led programming” (The previous quote was extracted from the Girl Scouts organization.) And although the age of the scouts ranges between five and eighteen years, most of the scouts as witnessed by this writer appear between the ages of eight through thirteen.

Many of these scouts usually sell their cookies by setting up a table in front of a retail outlet that caters to heavy traffic (supermarket, big box store, etc.) or through a community based organization. (Churches, etc.) Although a few will still go door-to-door in their neighborhood, many of them do not take this function due to safety issues.

But it’s not just the Girl Scouts doing all of the selling. Many of the moms (and perhaps a few dads) are performing the selling on their daughter and/or daughter-figure’s behalf. When yours truly was working as a researcher at a local TV station’s news room, one of the staff number, a mother of not one, but to two girls that were scouts, were going around the TV station’s work spaces asking those at work if they wanted to grab a box or two of the GS cookies. Many of the newsroom staff did. However at the time, I was shunning away from sweets. Every time I was asked by this mom of two GS in the family, I had to say “thanks but no thanks!” The woman, whose name is now long forgotten, was a good sport about me turning her down, although she did ask me once a week through a six week period. (I don’t think she remembered asking me before.) But whatever the case, I did hear that she sold a lot of cookies, even selling a few boxes to the on-air news staff!

That wasn’t my only experience with GS cookies. Many years before, my elder sister who was about thirteen at the time, did her part in selling GS cookies! She had a knack for being a self starting person, holding a keen savvy in convincing anybody in buying a box or two! With this savvyness, she actually convinced me to assist her in fobbing off cookies to those that were NOT friends, family members, co-workers, or anyone known to our clan.

So we spent our after school days (along with a few weekends) in the month of March and early April going through our neighborhood door-to-door in selling cookies. Keep in mind that this attempt was done around c.1972, a time where it was actually possible by having a pair of kids with a pull along aluminum shopping cart full of cookies while caring a pouch full of dollar bills and quarters going on their own unsupervised with the hopes of selling cookies to people around a number of blocks away from where we lived. (For the record, we lived in the community of Evanston, Illinois, a northern suburb of Chicago that resembles Pasadena or South Pasadena to give one an idea of what the community resembled!)

At the time, a box of cookies cost $1.25. That price was rather expensive for a box of cookies where one can get the same amount of cookies at the local Dominic’s or Jewel supermarket for 39 cents. However, those supermarket cookies were just cookies. What my elder sis was selling was Girl Scout cookies!

She was a complete whiz in selling these cookies! She had this charm and personality that just about everyone fell for. With me as her faithful(?) assistant, we were able to sell these boxes to a point where we would sell out in only a matter of hours, only to go back to our place to reload! I didn’t do much in the selling part. She sweet talked her way to those standing at their doorways in getting a box of cookies for themselves. One person even ordered a case (12 boxes to a case) of thin mints for a party this person was throwing that Saturday night! (I don’t know what the party was to commemorate as we were not invited!) And although a few did say “no thanks”, it was always done with good intentions. So nobody slammed any doors in our faces!

And when she decided to move her operations to the north side of town, near the campus of Northwestern University, that is when she stuck the motherload! That part of town has a lot of ritzy homes where many of the NU staff lived. And these folks appeared to have deeper pockets as nobody objected to the $1.25 price. That area also borders to the nearby suburb of Kennelworth, home to a lot of “old money” families!

After the sales were done, she sold a total of fifty-five cases at twelve boxes to a case. At one time, our living room resembled a warehouse stacked with case upon case of GS cookies. My mom became the unofficial inventory manager, keeping track to how many boxes of what variety was ready for delivery.

And not surprising, the thin mints were the biggest sellers as they still are in this day and age. It goes to show that people’s tastes do not necessarily change as much as one may realize!

It turned out that my sis became in the top five sellers of cookies in her district, and was the only one whose mom was not a scout leader! As a reward, she was able to go to a Girl Scout camp located near the Wisconsin border for two weeks for free, a premium that only a handful of Girl Scouts could ever reach!

And what did I get out of this assisting? I received a 1972 Girl Scout calendar in June(!), and a damaged box of Girl Scout cookies where most of the cookies were broken! I think the cookies I got was an Oreo-type knockoff. But I did enjoy them while tuning in on an episode of The Flip Wilson Show on TV.

So when you are visiting your local supermarket or any other retailer and you spy upon a group of Girl Scouts standing around a card near the store’s entrance, make sure that you do your part to grab a box or two of your favorite variety of cookies. It may cost you more than a buck and a quarter per box, but you are doing your part for the youth of America! (PS..I think I still have that calendar tucked away somewhere. I can always use it again in 2028!)

The Glendale Centre Theatre presents CHURCH BASEMENT LADIES, a musical comedy about a group of women dedicated to doing their part in working their cooking skills set within a sub-basement of their community church.

The setting is the said basement kitchen located inside a Lutheran church in small town Minnesota. It’s the middle 1960’s, and the ladies in question consist of Mrs. Vivian Snustad (Kate Landro), Mrs. Marvis Gilmerson (Kristen Hamilton, Mrs. Karis Engelson (Charlotte Carpenter) and her daughter Miss Beverly Engelson (Amanda Walker). Their purpose in the church is to take charge in cooking dinners and treats that are part of various fund raising events. Overseeing everything is Pastor Genderson (Patrick Foley). These woman work hard in getting everything is proper order. Beverly helps when she is home from her studies at the University of Minnesota located in “the cities” not so far away from their little village. Over time, a few things are in its ever changing moments at the church, such as having the hymn book go from black covers to red, catering the funeral for the church’s janitor that maintained the heating system, and eventually arranging the wedding of Beverly a few years later. With their Norwegian heritage in play that features lutefisk (dried codfish) and lefse (potato pancakes) on the menu, it’s this fine group of women that keep their church in full fledged order!

This musical, with book by Jim Stowell and Jessica Zuehike, and music and lyrics by Drew Jansen, is a charming piece that is set in a period and location where everything seems to be simpler, in spite of those “changes” that is going on at the time. (Guitar music played during services?) The cast of the five performers that appear in this show take their characters to life where they are as appealing and delightful, even adding a northern Minnesota “accent” to their speech with a few you betchas and an uff da added for authentic flavor! Much of what these ladies create in their sub terrain kitchen space isn’t necessarily healthy as Miracle Whip is found in the icebox and Crisco is set inside the cupboard. An attempt of serving a vegetarian pasta dish throws them off a bit. But if they want to keep up with the times, so be it!

Many of the regular GCT behind-the-scenes crew members are once again involved in this production, from Steven Applegate’s transcribed musical direction, Paul Reid’s choreography, Angela Manke’s period costume design, to George Strattan’s stage direction. This team effort enhances the spirit to what this little theatre in Glendale strives for by presenting family friendly programs that appeal to its patrons! And in a few years (2022 to be exact), the GCT will commemorate its seventy-five years of existence! For a community theatre that’s been running for close to three quarters of a century, they must be doing something right! Shows such as this one proves this point!

CHURCH BASEMENT LADIES is a stage piece that will please those that enjoy a musical that is irresistible as a good ol’ fashioned church luncheon. And remember–when lutefish is outlawed, only outlaws will have lutefisk!!

CHURCH BASEMENT LADIES, presented by and performs at The Glendale Centre Theatre, 324 North Orange Street, Glendale, until March 9th. Showtimes are Thursday, Friday, and Saturday nights at 7:30 PM, with Saturday and Sunday matinees at 2:00 PM. No Sunday performance on March 3rd.
For more information, call (818) 244-8481, or via online at
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According to a recent study released from the New York based marketing firm GfK MRI, half of all domestic viewers of television, and nearly 60% of young(er) viewers, watch in groups more than they were three years ago.

Some fifty-seven percent of the time co-viewing is done with a “significant other” (spouse, domestic partner, lover, etc.), 19% with kids, 16% with another adult family member, and 9% with friends. Almost half (48%) of TV watching is done as a co-view.

As to the source of TV programming, a little over half (52%) co-views their programming for the legacy pay services (HBO, Showtime, etc). 48% from a streaming service (Netflix, Hulu, etc.), while those of the “millennium” age (18-34) co-view streaming services at 72%.

As to the program genres, feature films are likely to be viewed by more than one person at a time. Children’s programming is more likely done as a family with parents/caretakers present with their kids.

And why do people watch TV as a group? They can spend time with one another watching the same show and to share the same experience.

This study was conducted by this marketing firm from research based on 24,000 in-person, in-home interviews, tracking levels of “cord disruption” among ten categorized viewing groups.

So is TV becoming a group event, or is watching moving imagery through an electronic device is still reserved as a solo activity? That all depends on what one is watching. Sporting events tend to take hold in terms of watching with more than one in the area of the TV machine. Over the previous Sunday, there were plenty of Super Bowl “watching” parties going on, where folks gathered together to have a mid-winter party-type event. Food was mostly likely served along with beverages, and people who may have known each other (if not attending as total strangers) were within the same area of the video device. Many took part of watching the many TV commercials that were at times more entertaining that the game itself. And yes, there was a football match going on as well!

Also, since this is in the middle of awards season, others may meet to view some kind of entertainment-based award presentation where trophies are presented for the best in this or the best in that, usually won for those that are known to the general public at large. (There are a lot of award shows going on that are not necessarily televised since those that are getting these certificates of merit aren’t famous! But that is another topic as that stands!)

Just as long as the program, be it a sporting event, an awards presentation, a scripted show, or any other video based topic of general interest is suitable to view in a group setting (and as long as the viewing device is big in screen size, and is of the highest picture quality possible), then viewing as a whole will be the thing to do. And in this day and age where people are slowly tending away from doing something or another in a group setting, then let the TV machine hold court. It may not be within the same realm of joining a bowling team or hosting a book club, but it does help!

Sacred Fools Theatre Company presents the west coast premier of Jireh Breon Holder’s TOO HEAVY FOR YOUR POCKET, a drama about four young couples living in a rural community in Tennessee that deal to conceive justice, affection toward one another, and their own places in life during the Civil Rights Movement of the 1960’s.

The two couples consist of Sally (Kacie Rodgers) Bowzie (Derek Jackson), Tony (Shane Liburd) and Evelyn (Jaquita Ta’le). As Negro citizens, they all live within the shadow of racial strife. Sally is wishing to become a stylist, completing an education at a nearby beauty school. Bowzie is attending Fisk University in Nashville on a scholarship and wants to do better for himself. On campus, he becomes involved with the civil rights movement that has been suppressing the Negro population, especially in the deep south. He hears about a group of people called “Freedom Riders” that travel by bus to cities and communities throughout the southern states where segregation is intense. Many of these Freedom Riders, both white and black, have been threatened by those that don’t want them there, even using violent tactics to stop them. Bowzie wants to do what is right. Yet his wife Evelyn and his friends Sally and Tony think otherwise. There is the constant danger in what Bowzie desires to commit to and is willing to take the challenge. It’s the drama of four “colored” people that live through moral support, yet dwell under the dark cloud of discrimination and face suppression just because they are not white!

This play written by Jireh Breon Holder takes a historical point in 20th century American history and develops a melodrama that is both stirring and fiery in terms of emotion. The ensemble cast of these four players show their skills to portray their characters with a sense of believability through Michael A. Shepperd’s stage direction. The dialogue in honest in scope, even at times where the so-called “N” word is used to refer to what they are, but not in any derogatory stance! It’s part of how their community treated those that were colored, even through they were just as honest citizens compared to those of causation decent.

In addition to the play’s styling in terms of performance and writing scope, there are the stage visuals to note upon. Alex Calle’s set design (with the aid of associate set designer Levi Lack) showcases the home base that Bowzie and Evelyn live in, consisting of some rough and worn out furnishings, as well as a kitchen setup that is twenty five years behind the times. Naila Alladdin Sanders provides the costuming that displays the outfits from the era as nothing fancy, but nice. And Byron Batista’s hair and wig design also speaks for the period.

TOO HEAVY FOR YOUR POCKET is somewhat a slight step back to the themes of programs usually presented by the Sacred Fools Theatre group. Many of their shows tend to be within the fields of quirky, eccentric, and perhaps slightly off the wall. Since relocating to their new(er) digs in the heart of Hollywood’s “Theatre Row” along Santa Monica Blvd between La Brea to the west and El Centro to the east, the Sacred Fools have matured through their stance, yet still holds on to presenting a number of unique productions throughout their regular reason, including their infamous Serial Killers series performing on late Saturday nights and entering its 14th season. Let’s hope for more productions such as THFYP to be presented at The Fools for the many seasons to come!

TOO HEAVY FOR YOUR POCKET, presented by Sacred Fools Theater Company, and performs at The Broadwater Black Box, 6322 Santa Monica Blvd. (one block west of Vine Street), Hollywood, until March 2nd. Showtimes are Friday and Saturday nights at 8:00 PM, and Sunday evenings at 7:00 PM. For ticket reservations or for more information on this show as well as all other productions as presented by the Sacred Fools, visit
The 46th ANNIE AWARDS, celebrating the best in animation in all moving image media, was presented on February 2nd at Royce Hall located on the campus of UCLA.

Among the many categories presented for animated television programs, feature films, and video games as well as a new category for virtual reality, were a selection of special awards to commemorate those that made their marks in the animation fields.

The June Foray Award, going to the person that posed a significant and benevolent or charitable impact on the art and industry of animation, was presented to the late Adam Burke for his achievement at Pixar as well as founding the Pixar Hospital Visit Program, where artists from the named animation studio visit community children’s hospitals to demonstrate animation techniques as well as arranging Pixar films screenings. The hospital visit program in now named in his honor.

A Certificate of Merit, awarded to an individual or organization for the service, art, craft, and industry of animation was given to Jason Jones for his volunteer services with the ASIFA-Hollywood chapter.

The Ub Iwerks Award, for the technical advancement that made a significant impact on the art or industry of animation, was awarded for the open source animation software program Blender.

The Winsor McCay Award, for the recognition for career contributions to the art of animation, was presented to three individuals. The first award was presented to the late Frank Braxton, the first African American who worked in the filed of animation in the 1950’s and 1960’s. The second award was presented to Ralph Eggleston for his involvement in Pixar in various capacities from art direction, writing, and animation direction. And the third award was given to Andrea Romano, a voice casting director.

Out of the many titles nominated for their individual categories, perhaps the most significant program achieved at the awards was for the Sony Pictures Animation feature Spider-Man Into the Spider-Verse, that won every single award it was nominated for including Best Animated Feature, making that title the real “winner” of all.

For the entire list of nominees and winners, visit the official Annie Awards website
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It seems that Facebook, the be-all-to-end-all spot within the social media cyberworld, isn’t what it used to be in terms of placing one’s self on the line for all to see!

A recent poll conducted by Toluna, a marketing firm geared for so-called “influencers” that exist in cyberspace to market products and/or services, asked 100 consumers in December of 2018 about the places on the ‘net that they would not trust in terms of keeping one’s information safe and secure, away from sources that may use such data for questionable, and perhaps evil purposes.

It seems that Facebook is now the least trusted company. Some 40% of those polled noted that Facebook holds the least amount of honor with it comes to keeping details safe from those that shouldn’t know those details.

Although 40% may not be a large amount from the 1000, its second place in line, Twitter and Amazon, a both tied in at 8%.

Uber, the ride hailing service, comes in next at 7% Google is cited by 6%. And Lyft, Uber’s biggest competitor, also ranks in at 6%. Apple comes in next at 4%, Microsoft, Apple’s biggest rival, comes in at 2%. Right at the very bottom of the heap is Netflix, coming in at 1%

It isn’t much of a surprise why Facebook has been ranked this bad. Within the past year, there have been reports that those outside (and perhaps inside) of the Facebook universe has been going through security breeches. Those in Russia and other places on the globe have been using this social media spot to place posts about activities and events geering to be steered toward another direction. And with those hacking away as real, imagined, or otherwise, gave those using the site a real reason to limit themselves, or just to totally back off!

This writer isn’t as surprised as well. Although we do hold a presence on the Facebook site, we don’t necessarily post anything that hasn’t been reviled on these pages on Accessibly Live Off-Line beforehand. And even thought this writer never had a personal place via Facebook, anything yours truly wanted to have others know about would also be listed through this head articles.

In fact, this same writer made a point to find out if we were able to get details from other Facebook “friends” without making any attempt to ask or prompt then to provide us with anything! Back around 2010, “a long, long, time ago” in terms of postmodern technology, we started an experiment to purposely post fake people on the site, creating a backstory for these folks that were eventually “never-weres”! We contacted others we found asking for “friendship” with these people. Soon over time, we ranked up a robust number of “friends”. We even went ahead of posting pictures (stock photos in reality) of people and events we claimed that were ours. There were people passing a real friends, relatives, family members, etc., as well as events that the fake person was involved with. In other words, we created a profile of a person and their activities that were anything but real.

Sure enough, we were able to mine some personal details of others based upon information provided by the other folks. For instance, we were able to get details of a (then) 14 year-old girl living in a small town in central Illinois, getting her address, phone number, where she went to school, etc. We also received information from others (adults mostly) that provided the same information. Again, none of this data was asked for. We just found it!

Over time, people got rather wise in listing such details. Some even went through a state to delete themselves off. A few walked away from their site, not posting anything for years! And the number of phony people we created still exist, although we did lose track of a few! And one of those people we created, a middle aged woman we called “Tiffi Purewhite” was part of a column we called “Tiffi’s Friends Say…”, that reprinted some of the comments and on-liners posted through Tifii’s 2500+ friends!

An example of that column, appearing in ALOL Vol. 17, No. 2-Week of January 9, 2012 is listed below..

I made it back safe and sound. Going to bed now.

FYI It’s thundering and raining. Time for bed i’m tired gnite!

Sun pm -Weekend ending. (Darn, have to work a Monday again!) Giggled over parts of the “Twilight” movie dialogue, got lots done on projects, ate at Renate’s deli, visited with Angie, read three books, good sermon on surviving tough times (like now for many)…reading, praying!

Long day but good day … I’m off to dreamland 🙂

Sometimes I really need to learn how to bite my tongue. Not sure if I’m praying for tact, or just how to count to a zillion before speaking. (What is a zillion anyone? Is that even a real number?)

As of January 9th, Tiffi has 1357 Facebook “friends” and counting!

So there you have it, folks! Granted, we won’t necessarily say that we told you so, but we were aware of the fact that one day, the ol’ cat’s gonna get out of the bag. However, with anything one does in cyberspace, one has to be careful. And although one can delete anything one could post, that doesn’t necessarily mean that it’s gone forever. There has been examples that posts, comments, tweets, or anything that can be linked to the source, is out there somewhere. It may exist as a saved file existing on a hard drive or in a “cloud”. It may have been reposted on another website somewhere, ready for access. In other words, it may be gone, but it’s not forgotten. All it would take to find it is in a search. And for those that do this as a hobby, that search is a lot easier to do than one can imagine!

We don’t know if that one-time fourteen year old girl in Illinois ever knew that we were able to find her if we wanted to. We has the chance, but just didn’t take it. But for the rest of you, just use common sense and play it safe! Besides, Facebook in our personal opinion isn’t the place to be as it once was. At first, it was rather amusing. In today’s scope, it’s now rather dull and even annoying! (See examples above!) But there are other places to go on the ‘net. After all, doesn’t one believe that people are as obsessed with their phones because they call call anyone they wanted on a whim! Right…?

Theatre 40 presents for its alternate program, ROD SERLING’S STORIES FROM THE ZONE, a pair of staged tales to astonish taken from Rod Serling’s The Twilight Zone TV series.

The first saga, Mr. Garrity and the Graves takes place in the Arizona territory post of Happiness c.1890. A mysterious stranger arrives in this community who claims he can bring back the dead. The townsfolk at first find this man holding a questionable talent. But when they become convinced upon seeing a dead dog brought back to life, they take upon his offer, only to realize that those berried at boot hill should remain where they are, and pay this stranger handsomely to keep them where they belong–dead!

The second entry, Will the Real Martian Please Stand Up?, takes place in a rural isolated area. There’s been a report that some kind of object falling from the sky. A pair of stare troopers visit a nearby diner to investigate where a bus loaded with passengers has just arrived. The bus driver knows he had six passengers aboard. But there are actually seven that departed the bus. Is one of these passengers an alien from another world in disguise?

These two stories, written by Rod Serling and adapted for the stage by Jeff G. Rack, are short pieces that fall between fantasy and science fiction with a narrative that is in line to a O. Henry scenario, complete with a surprising climax! A cast of performers that feature Mark Bate, John W. Combs, Yancey Durham, Henry Herman, Richard Large, Meghan Lloyd, Brianna Parcel, Brian Pope, Phillip Sokoloff, Toni Trenton, and Jeffrey Winner appear in both productions performing in repertory. Jeff Rack, director of “Martian”, appears as the narrator of these two short stories. Charles Mount directs “Mr. Garrity”, and Mr. Rack once again designs all of the sets.

The Twilight Zone has been called upon as one of the best recalled and most beloved TV series that have been part of the domestic video landscape for the past sixty years, and is one of the few forms of television that refuse to die! It’s been revised twice with new stories, and is subject to yet another revival! But the original run, with Serling writing a good number of these tales, had been part of repeats, marathon showings, and in today’s video landscape, the subject of binge viewing that keeps those tuning in coming back!

This program may become the first of a possible series of additional Serling penned T-Zone tales appearing on stage. There’s a lot more of these mini-epics to showcase culled from the dimension of sound, sight, and a state of mind that fall between shadow and light. Just look for the signpost up ahead…

ROD SERLING’S STORIES FROM THE ZONE, presented by Theatre 40 and performs at the Reuben Cordova Theatre, located within the campus of Beverly Hills High School, 241 South Moreno Drive (off little Santa Monica Blvd.) Beverly Hills, until February 17th. Showtimes are Monday, January 28th and February 11th, Tuesday, February 5th and 12th, Wednesday, February 6th, Thursday, February 7th, Friday, February 8th, and Saturday, February 16th at 8:00 PM, and Sunday, February 17th at 2:00 PM and 7:00 PM.

Also performing in rep at Theatre 40 is Alex Goldberg’s It Is Done through February 19th. (See review Vol. 24. No. 3)

For ticket reservations or for more information on both shows, call (310) 364-0535, or visit online at
Continuing at The Lounge Theatre of Hollywood is Cindy Lou Johnson’s BRILLIANT TRACES, a play about a man and a woman that meet through very unusual circumstances at an equally unusual location.

The location is an isolated cable somewhere in the wilds of Alaska, the homestead of Henry (Chris Cardano). He works at an oil rig located in the state as a cook. When he’s off duty, he lives alone in the cabin leading a hermit’s life. One night during a blinding snowstorm, in walks Rosannah (Caitlin Carleton). She has been driving for days after her escape from a wedding ceremony–hers! Her car gets stuck in a snow drift, and nearly becomes frostbitten wandering in the snow and cold, still wearing her wedding gown! She barely arrives at the cabin alive but in semi-hysterics! Henry wonders what she is doing there. Upon her entrance while sleeping it off for a while from frostbite and her hysteric situation, the two begin to trace each other’s existence in where they are and where they came from. This meeting isn’t by chance, nor it resembles a “meet-cute” setup. It’s the tale of a modern hermit verses a runaway bride that took her fleeing into a very new extreme.

This single act play written by Cindy Lou Johnson takes upon a massive twist to a romantic comedy premise, and creates a drama of two lost souls that are misfound for totally different reasons. The pair of players, Caitlin Carleton and Chris Cardano, perform as an unlikely pair of people that maintain a personality-based chemistry with one another holding on with more conflict and pathos rather than with romantic intentions! The dialogue and drama moves within a quick pace once it gets itself going. With an eighty minute or so running time, one won’t know what will occur next! Kiff Scholl directs this program with those same rapid intentions in mind.

Among what is seen on the stage is John Mahr’s set design of the single room cabin, a place that is cozy and rather clean looking for a shack located in the middle of Alaska’s nowhere!

The only caveat to this play? It needs a second act! Perhaps the playwright left a few story stones unturned on purpose. That is what makes this play unique without being odd or strange. Then again, runaway brides may go far, but for 3000 miles?

BRILLIANT TRACES, presented by Red Sage Productions, and performs at The Lounge Theatre, 6201 Santa Monica Blvd. (one block east of Vine Street at El Centro), Hollywood, until February 10th. Showtimes are Friday and Saturday nights at 8:00 PM, and Sunday evenings at 7:00 PM.

For tickets reservations, call (440) 465-8878, or via online at
THE POW & THE GIRL, Katrina Wood’s new play that’s speaks for a relationship between a grandfather and his granddaughter while the two become part of a struggle between one’s present and one’s past, makes its world premier at North Hollywood’s Sherry Theatre.

The setting is London in the 1980’s. Living in a small yet comfortable flat is Sarah (Samantha Mallory) a young adult attending a public university to obtain an educational certificate as a paramedic. She’s into the punk/new wave movement as many of her peers are, while working on hobbies such as playing the recorder (flute) and making plants grow by exposing music to them. She lives with her granddad (Chas Mitchell) as he is the only relative in her life. There is one element that keeps her granddad at bay. He still struggles with the memories he had while he was in the service during World War II. He was imprisoned in a Japanese POW camp, and although that was forty years after the fact, much of those harsh memories still linger. But Sherry has her own life to live, even taking upon a relationship with Paul (Adrian Burks) a young man also into the new wave movement as he lives with his disabled mother (Natalia Bibao). In spite of these trails and tribulations, Sarah stands true to her granddad, her boyfriend, and most importantly, herself.

This single act play written by Katrina Wood is based upon her own relationship with her father, British character actor Percy Herbert whose appearance in many TV programs and feature films made him as a familiar figure. His best known movie was The Bridge Over the River Kwai, where he played a prisoner of war inmate. When Percy served in WWII, he was actually imprisoned inside a Japanese POW camp. As to the play itself. It sparks an honest look between a young woman and her grandfather that come from different backgrounds. The granddad tends to live with his inner past suffering to what was once known as “shell shock”. Sarah as sassy as she tends to be at times, desires to do good for herself. She’s within the period where she is a responsible adult while holding the spirit of somebody much younger. She and her elder repel with one another at times, but it all comes out as good in the end. This is the idea to what this play is all about without attempting to provide a lesson to what is proper or what should be done about it. This notion is shown throughout. Trace Oakley’s stage direction keep the pacing in gear following this conviction in a progressive stretch.

Arron Grazer’s set design shows a number of the spots the story takes place with a few simple yet proper pieces of props and furnishings. But for most of the play’s stage time, it’s the humble flat of the named POW and the girl.

Also appearing is Lucas Helersson as Kyle, a bully-type that doesn’t take Sarah very seriously in what she wants in her life, and Jeffrey Gibson as the ghost of the Japanese soldier that kept guard at the POW camp during the war.

THE POW & THE GIRL is a story where two people generations apart still learn from one another, even with those demons still dwelling in the far off backdrop. Although those same demons are from long past, there is always that element to rise up to the occasion through its genteel moonlight serenade.

THE POW & THE GIRL, presented by Strongerwood Productions, and performs at The Sherry Theatre, 11052 Magnolia Blvd. (between Lankershim Blvd. and Vineland Avenue), North Hollywood, until February 16th. Showtimes are Friday and Saturday nights at 8:00 PM, and Sunday afternoons at 5:00 PM. For ticket reservations, call
(800) 838-3006, or via online at
Megan Dolan’s solo show LEMUR MOM, a so-true-it’s-got-to-be-real tale on a post-modern mother who attempts to handle her toddler-aged child and the “special” needs he requires, performs at The Whitefire Theatre of Sherman Oaks for a limited run.

Megan herself is the mom in question. Her son Tyler is the focus of her story. As a mother raising her child in the second middle decade of the 21st Century, she could strive to be what’s known as a “Tiger Mom”, a mother figure that keeps her child in check by using an intense aggressive measure where the best is placed upon the kid to be the best as (s)he could be! However, she is quite the opposite as a mom who is rather passive and even timid in nature, wanting her child to be the best without the aggression and stress that comes with holding on to a Tiger Mom handle. What makes things complicated, Tyler isn’t quite the same as his peers. He is a rather picky eater, and won’t speak to the other kids during playdates. It seems that there is something not quite right. So thanks to her friend, good ol’ Google, she finds a specialist that can diagnose these behavior patters. It appears that Tyler may be autistic, or perhaps as someone with Aspergers, or maybe diagnosed with ADHD–or even with another ailment that could begin with the letter “A”! It’s a slice of life episode featuring a mom finding out more about her child as she finds out more about her own self.

This single person one act program written and performed by Megan Dolan, takes a situation that may become a crisis for some parents, while develops a presentation that is comical in substance, in spite of the seriousness to what her son holds emotionally. Her performance is rather bouncy, high in spirit, and shows that she is teetering close to being on the verge of having a nervous breakdown. But the trouper that she is, she rises to the occasion in the same notion that moms of this day and age holds on to! Wendy Hammers directs this program that flows in a very fast pace. With the use of a few props on stage as well as some semi-animated illustrations illuminated onto a rear screen as projected by Fritz Davis, the audience can witness the real story of one mom’s family, and how that kid with “special needs” can indeed be special in his own right!

This form of solo storytelling (illustrated), is part of those eight million stories found in the naked city–and this has been one of ‘em! With being a mommy-type in the eon where mothers must do everything for this child no matter what, it’s nice to know that Megan isn’t the only one like her out there! This performance is that living proof!

LUMUR MOM, presented as part of Solofest 2019, performs at The Whitefire Theatre, 13500 Ventura Blvd (at Sunnyslope), Sherman Oaks. Performances take place on Sunday, March 31st, and Sunday, April 28th, both at 3:00 PM. Ticket reservations can be obtained online at
The Academy of Motion Picture Arts & Sciences (AMPAS) announced their nominations for the 91st annual Academy Awards on January 22nd.

The following titles and names received the nomination for the following categories:

Best Picture

Black Panther (Disney)
BlacKkKlansman (Focus Features)
Bohemian Rhapsody (Fox)
The Favourite (Fox Searchlight)
Green Book (Universal)
Roma (Nexflix)
A Star Is Born (Warner Bros.)
Vice (Annapurna)

Best Actor

Christian Bale-Vice
Bradley Cooper-A Star Is Born
Willem Dafoe-At Eternity’s Gate
Rami Malek-Bohemian Rhapsody
Viggo Mortensen-Green Book

Best Actress

Yalitza Aparicio-Roma
Glenn Close-The Wife
Olivia Colman-The Favourite
Lady Gaga-A Star Is Born
Melissa McCarthy-Can You Ever Forgive Me?

Best Director

Spike Lee-BlacKkKlansman
Paweł Pawlikowski-Cold War
Yorgos Lanthimos-The Favourite
Alfonso Cuarón-Roma
Adam McKay-Vice

As of this writing, a host has yet to be named for the awards ceremony, taking place on Sunday, February 24th at the Dolby Theatre at Hollywood & Highland Center-Hollywood, and airs on ABC.

For a complete listing of all nominations, visit the official AMPAS web site at
During the previous week, The Golden Raspberry Foundation announced their list of nomination for the 39th RAZZIE Awards for the worst in feature films released in the previous calendar year.

The following titles and names has been selected for the worst in the following categories:

Worst Picture

Gotti (Vertial Entertainment)
The Happytime Murders (STX Entertainment)
Holmes & Watson (Sony/Columbia)
Robin Hood (Summit Entertainment)
Winchester (Blacklab Entertainment)

Worst Actor

Johnny Depp (Voice Only)-Sherlock Gnomes
Will Ferrell-Holmes & Watson
John Travolta-Gotti
Donald J. Trump (As Himself)-Death of a Nation and Fahrenheit 11/9
Bruce Willis-Death Wish

Worst Actress

Jennifer Garner-Peppermint
Amber Heard-London Fields
Melissa McCarthy-Happytime Murders and Life of the Party
Helen Mirren-Winchester
Amanda Seyfried-The Clapper

Worst Director

Etan Cohen-Holmes & Watson
Kevin Connolly-Gotti
James Foley-Fifty Shades Freed
Brian Henson-Happytime Murders
The Spierig Brothers (Michael & Peter)-Winchester
The RAZZIE Awards will take place on a date and location to be announced shortly.
For a complete listing of all nominations, visit the official RAZZIES web site at
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